Florencia Curci
Florencia Curci (Buenos Aires, 1986) is an artist, composer, and curator. Her practice unfolds between sound art, experimental radio, and territorial research, exploring the political potential of listening and transmission technologies. She works through collaborative methodologies, developing processes that relate bodies, infrastructures, and transforming soundscapes.
Many of her explorations emerge from long-term collaborations, where artistic creation intertwines with situated research, friendship, and the invention of shared conditions. She understands these relationships as forms of life and thought that exceed the conventional frameworks of contemporary art.
She is currently part of Siestaria, a collective she co-founded with Tatiana Heuman to explore the connections between sound, sleep, and the politics of rest; collaborates in the transdisciplinary project Terra Ignota, which engages in art and science-based fieldwork in sub-Antarctic territories; works with German artist Kerstin Ergenzinger on Rhythmical Zones, a series of sound experiments around rhythm as a relational and multiscalar phenomenon; and takes part in the Conduction Series, a collective platform dedicated to expanded approaches to conduction and collaborative improvisation.
In 2025, she was guest professor at the Department of Acoustic Ecologies and Sound Studies at Bauhaus-University Weimar, and shared a new radio piece through Deutschlandfunk Kultur (Germany).
From 2017 to 2024, she directed the Centro de Arte Sonoro (CASo) in Buenos Aires, where she founded RADIO CASo, the first online radio station in Argentina dedicated to sound art and experimental music. Her work has been shared through museums, festivals, and independent radio stations across Latin America, Europe, and the United States, including Tsonami (Chile), Wave Farm (USA), Monteaudio (Uruguay), Kunst Radio (Austria), and Nois Radio (Colombia), among others.