TO)pot, a festival of soundwalks, concerts, and reflections, brings together artists, theorists, and curious walkers to connect with spaces and more-than-human entities, transforming walking and listening into a spatial realisation of location. As a practice of grounding and attuning to the environment, walking becomes a radical attempt to decelerate the everyday pace of life.

An international meeting KRAmp: Voda-La-Vida! about biodiversity through field recordings, both underwater and above. We invite you to participate in a program starting from exchanges and sharing of knowledge, techniques and equipment, to discuss advances in applied bioacoustics.

We invite you to the second edition of the Summer Laboratory of Spatial Sound in North Bohemia!

SPATIAL sommer lab take place from 5 to 29 July 2024 at the National House in Ústí nad Labem and at the cultural and residential centre

Löblhof & Artgrund in Staňkovice.

Thanks to collaboration with OTTOsonics, Tangible Music Lab, ZiMMT, IEM Graz, spæs - Lab Berlin, FUD a FF UJEP, SVITAVA - transmedia art lab,

BROADCAST starts: SATURDAY 4 MAY at 06:00 (your location UTC+2)

see soundtent.org

Artists, and everyone to whom it may concern:

As you might have seen already, the Visegrad Fund call for Visual and Sound Artists Residencies are open. The Deadline to apply is 15 October 2023. You have to apply personally as an artist for this, and come from PL, SK, HU.

International Symposium on Sonic Ecologies
21 to 25 November, 2023
Moholy-Nagy University of Art and Design Budapest (MOME)

The aim of the conference is to provide a transdisciplinary forum for the achievements in recent years and to foster further exchanges, communication and networking during the years to come. We would like to pay special attention to the region of Central Europe, but the geopolitical range of its subjects remains open to the broader world.

This is a reminder of an upcoming broadcasting of the 2nd episode from Elements series, that Polina Katchenka is preparing together with Petra Kapš. We will also have a custom generative graphics for each episode from our Teplice-based colleague and a graphic designer Petr Hanžl.

Thanks to everyone who decided to contribute their recordings!!

we've received great content from all of you! It's an horror to work with you all.

Tune in on https://radiopunctum.cz/ at 20h CET.

or

listen to the podcast here:

Anyone who is interested in participating in the event (actively or passively), or just would like to get to know more information is welcome to join.

CENSE meeting – Monday, October 4, 2021 @ 8pm (Prague time)
us02web.zoom.us/j/84766009077
meeting ID: 847 6600 9077

You can read all the notes in here: pad.monoskop.org/p/dayofcenselinz.

More info: cense.earth/acoustic-ecology-week-linz.

Discussing the program for the Linz conference.

Everybody is welcomed to join the zoom gathering

at 9 am Tuesday 28, September

link will be announced here

milos vojtech is inviting you to a scheduled Zoom meeting.

Topic: linz Time: Sep 28, 2021 09:00 PM Prague Bratislava

Join Zoom Meeting https://us04web.zoom.us/j/74090702466?pwd=L0ZQSG1waFFVUm5MYUdta0NTTXVsQT09

Meeting ID: 740 9070 2466 Passcode: z6zTYM

Author: zvukac (Miloš Vojtěchovský)
Curators: Zbyněk Baladrán, Lukáš Likavčan and Display - Association for Research and Collective Practice

There are the key points we'd like to discuss this time:

1. i-portunus grant – possibility to fund residencies
2. Punctum radio & Radio Earth – CENSE participation
3. CENSE Almanach – preparation process
4. Theme Week Acoustic Ecology in Linz – November 29 – December 5, 2021

Moholy-Nagy University of Arts and Design Budapest and the Institute of Advanced Studies Kőszeg announce a summer workshop on the topic of ecological sound art, between 23rd and 28th August 2021. The aim of the workshop is to create and present soundscape etudes / compositions in the framework of the Sounding City Days 2021 Kőszeg.

Tu Fokan Music Summer School is this year from 14th till 23rd July in Pilisszentlászló village, Hungary. On the World Listening Day, (Sunday the 18th), we will focus on it with a small presentation for the 20 Hungarian and Czech young people, as part of the joint CENSE actions. The event will include a review of the existence of sonic ecology, the activities and merits of Murray Schafer, and the phenomena of geophonics, which gives the essentials of this year "Unquiet Earth" topic.

On World Listening Day we will broadcast short radio stream from South Italy, Southern Apennines, from the rooftop of a small house on the top of the hill near Tortorella village.

You are welcome to join listening session and on the program are regular sound events of a very silent valley with only two functional traditional farms, you will hear the sounds of the protected area of plants, birds, owls, wolves and other forest inhabitants. Let's protect the silence, sounds and traditional ways and balanced attitude to life of such places.

Sunday August 15th at 3 pm is scheduled the presentation of Peter Cusack and Miloš Vojtěchovský in the park

Central European Network For Sonic Ccologies - Artist Talk

Screening
at Display Gallery, Prague at 6PM in the framework of the CENSUS exhibition

CENSUS

and

GAMPA Gallery Pardubice SOA – film screening & sound walk at 7pm

(in collaboration with CENSE – Central European Network for Sonic Ecologies.) after the screening there is a soundwalk in the city of Pardubice

and

Participants in attendance:

Csaba Hajnóczy, Milos Vojtechovsky, Michal Kindernay, Sarka Zahálková, Polina Katshenko, Anna Kvíčalová, Petra Kapš, Anamaria Pravicencu, Jan Krtička, Lloyd Dunn, Jonáš Gruska, Brane Zorman, Jan Kromholtz, Boris Klapal, Slawek Wieczorek, Lucie Páchová, Sara Pinheiro (17 members)

Jacek Smolicki
Spring Seminars 2021

Soundwalking has traditionally been problematized and exercised as an aesthetic practice that advocates deep aural attention to the here and now. A number of scholars and researchers have dealt with meditative aspects of walking and listening alongside their pragmatic application to the study of noise pollution in urban environments. In this talk, I intend to reroute the dominant paths for theorizing and practicing soundwalking by turning to perspectives from environmental humanities.

Magdalena Zdrodowska
Spring Seminar 2021

Throughout the 19th century ear trumpets became the most popular and in fact the only technical solution for deaf people. They merged with the behavior regarded as typical for the deaf such as misinterpretations and communicational loss, therefore ear trumpets turned into a social stigma. They became objects that were bashfully hidden by users. In the 20th century however ear trumpets’ image as well as functions changed as they were substituted with modern, electric and later electronic hearing prostheses. These acoustic hearing aids became antiquated but they did not vanish – they have relocated within the technological and cultural domains.