Mark Vernon is a Glasgow based artist who explores concepts of audio archaeology, magnetic memory and nostalgia through his sound works. At the core of his practice lies a fascination with the intimacy of the radio voice, environmental sound, obsolete media and the reappropriation of found recordings.

Stephen Vitiello is an electronic musician and sound artist who transforms incidental atmospheric noises into mesmerizing soundscapes that alter our perception of the surrounding environment.

Salomé Voegelin is a Swiss artist and writer based in London, engaged in listening as a socio-political practice of sound. Her work and writing deal with sound, the world sound makes: its aesthetic, social and political realities that are hidden by the persuasiveness of a visual point of view.

Chris Watson began his sound-inspired quest in Sheffield in 1971 as a founder member of the Dadaist performance group Cabaret Voltaire. Since 1981, he has branched out into other related areas and developed an interest in sound recording techniques and the art of letting sounds be themselves.

Claudia Wegener working under the name "Radio Continental Drift", has been recording sounds across Southern Africa for the past ten years. Claudia was a founding member of the artists’ group Foreign Investment.

Allen S. Weiss is committed to both interdisciplinary research and experimental performance across the media and the author and editor of over forty books.

Eyal Weizman is the founder and director of Forensic Architecture and professor of Spatial and Visual Cultures at Goldsmiths, University of London, where in 2005 the founded the Centre for Research Architecture.

Simon Whetham has developed a practice of working with sonic activity as a raw material for creation. He uses environmental sound, employing a variety of methods and techniques in order to obtain often unnoticed and obscured sonic phenomena.

Louise K Wilson is a visual artist who makes installations, live works, sound works and single channel videos. Processes of research are central to her practice and she frequently involves the participation of individuals from industry, museums, medicine and the scientific community in the making of work.

Jana Winderen is a former marine biologist and an artist who currently lives and works in Norway. Her practice pays particular attention to audio environments and to creatures which are hard for humans to access, both physically and aurally – deep under water, inside ice or in frequency ranges inaudible to the human ear.

Nathan Wolek (USA, b. 1977) is a sound artist and audio researcher whose work encompasses electronic music, audio field recording, multimedia performance, and sound design. He is currently the Lydia Pfund Endowed Professor, teaching in the Digital Arts program at Stetson University in DeLand, Florida.

Jon Wozencroft was born in Epsom, Surrey in 1958. He developed his sound seminars in the late 1980s as a means of highlighting the potential of sound-related research and practice in art and design education.

Mark Peter Wright is an artist-researcher working at the intersection of sound, ecology and contemporary art. His practice investigates relations of capture and mediation between humans and nonhumans, sites and technologies, observers and subjects.

Aaron Ximm is a San Francisco-based field recordist and sound artist. Since 1998 his Quiet American project has focused on constructing new soundscapes from the intimate recordings he collects while traveling. Ximm's recordings and compositions have appeared in a variety of contexts, including galleries, performances, and on the radio.

Lindsay Young earned a Bachelor of Science from the University of British Columbia and a Master of Science from the University of Hawai. In 2009, she completed her Ph.D. at the University of Hawai where her research focused on the population genetics, at sea foraging ecology, and conservation needs of Laysan Albatross.

Jan Zalasiewicz is Emeritus Professor of Palaeobiology at the University of Leicester, having started his career at the British Geological Survey. He is a member of the Anthropocene Working Group, and chairs the Subcommission on Quaternary Stratigraphy, of the International Commission on Stratigraphy.

The collective ooo was founded in the spring of 2020 as a dedicated space for the exploration of the world through sound art, contemporary music and intermedia art. It is a collaborative effort of musician, teacher and intermedia artist Fero Király and dramaturg, cultural manager and artist Eva Vozárová.