Madelynne Cornish is an audio-visual artist and curator based in Bogong Village, Australia. Her works explore the effects of climate on natural and built environments, and the social dynamics informing remote communities. Madelynne employs duration, landscape and stillness as a means of responding to the temporal and spatial morphology of place. Her multi-layered and affective artworks are reflections of how humans engage with and define their environments.

Cheryl E. Leonard is am American composer, performer, field recordist, and instrument builder whose works investigate sounds, structures, and objects from the natural world. Her projects cultivate stones, wood, water, ice, sand, shells, feathers, and bones as musical instruments, and often feature one-of-a-kind sculptural instruments and field recordings from remote locales. Leonard is fascinated by the subtle textures and intricacies of sounds, especially very quiet phenomena.

Justin Bennett (born 1964 in UK, based in The Hague) works with sound and image. Trained in sculpture and electronic music, he uses drawing, video, sculpture, and a diverse array of sound forms in his research. One recurrent theme is our experience of architecture, urban development, and the (un)built space. He employs sound in order to render it audible as well as palpable: in his work, listening carefully provides a radically different way of seeing and experiencing. Bennett's recording of sound is comparable with the shooting of video.

Ann McMillan (born 1923, New York City, died 1994) was an American composer and musician, famous to be working with environmental sounds. McMillan was part of the burgeoning musique concrète and electronic music movement, forming sparse, eclectic sounds through tape manipulation.