John Luther Adams composes music which evokes the landscape and ecology of his Alaskan home, stemming from his conviction that “music can contribute to the awakening of our ecological understanding.

Mark Bain (1966) is an American contemporary sound and installation artist. His work focuses on the investigation of vibrational mechanics at the threshold between sound, science and architecture, often through the means of site-specific installations. He has also worked as a musician and founded Simulux, a research center for audio-visual practices. From 1986 to 1990, he attended the Cornish College of Art. After that, he moved to Chicago, Illinois, where he enrolled in the Bachelor of Fine Arts program at the School of Arts Institute.

Llorenç Barber (Valencia, 1948) is one of the mavericks of Spanish music. Departing from a passionate interest in John Cage - and particularly in ZAJ group (a sort of Spanish zen/ Dada collective) he has developed a unique musical language since his early minimalist-inspired compositions. With his portable set of bells, Barber plays long improvised pieces in which uses harmonic chant; a minimal chamber setting which recognizes links with the NY Downtown experimental scene from the seventies and eighties (he lived in New York in early '80's).

Justin Bennett (born 1964 in UK, based in The Hague) works with sound and image. Trained in sculpture and electronic music, he uses drawing, video, sculpture, and a diverse array of sound forms in his research. One recurrent theme is our experience of architecture, urban development, and the (un)built space. He employs sound in order to render it audible as well as palpable: in his work, listening carefully provides a radically different way of seeing and experiencing. Bennett's recording of sound is comparable with the shooting of video.