Anna Fritz is media, sound and transmission artist, working across platforms to present installations, broadcasts, films and performances. Her creative and scholarly works often reflect upon media ecologies, land use, infrastructures, time perception, radio and transmission art histories, and critical fictions. She specializes in self-reflexive radio for broadcast, installation or performance, where radio is the source, subject, and medium of the work.

Raviv Ganchrow (born 1972) completed his architectural studies at The Cooper Union, New York and sonic studies at the Institute of Sonology, University of the Arts, The Hague. He researches interdependencies of sound, locale and hearing through installations, writing, and the development of transduction technologies.

Jonathan W. Y. Gray is Senior Lecturer (Associate Professor) in Critical Infrastructure Studies at the Department of Digital Humanities, King’s College London. His research explores the role of digital data, methods and infrastructures in the “composition of collective life”, grounded in fields such as feminist science and technology studies, new media studies, critical theory and philosophy. He is currently writing a book on Data Worlds: The Politics of Open and Public Data in the Digital Age (forthcoming on MIT Press).

Lucinda Guy is a composer and sound artist exploring broadcast radio as a space for democratic participation and creative expression. She is a researcher with Transtechnology Research at the University of Plymouth, looking into the use of automation in broadcasting. She is the creator of numerous works for radio and live performance, encompassing ritual, song, improvisation, and participation, frequently drawing on hymns, dreams, and traditional music and enquiring into landscape and ritual.